Simply put, poetry slam is the competitive art of performance poetry. It puts a dual emphasis on writing and performance, encouraging poets to focus on what they're saying and how they're saying it. A poetry slam is a competitive event in which poets perform their work and are judged by members of the audience. Typically, the host or another organizer selects the judges, who are instructed to give numerical scores (on a zero to 10 or one to 10 scale) based on the poets' content and performance.
In 1984, construction worker and poet Marc Smith started a poetry reading at a Chicago jazz club, the Get Me High lounge, looking for a way to breathe life into the open mike format. The series, and its emphasis on performance, laid the groundwork for the brand of poetry that would eventually be exhibited in slam. In 1986, Smith approached Dave Jemilo, the owner of the Green Mill (a Chicago jazz club and former haunt of Al Capone), with a plan to host a weekly poetry competition on Sunday nights. Jemilo welcomed him, and the Uptown Poetry Slam was born on July 25 of that year. Smith drew on baseball and bridge terminology for the name, and instituted the basic features of the competition, including judges chosen from the audience and cash prizes for the winner.
Though rules vary from slam to slam, the basic rules are:
- Each poem must be of the poet's own construction;
- Each poet gets three minutes (plus a designated grace period) to read one poem (Teen Slams-3:40). If the poet goes over time, points will be deducted from the total score.
- The poet may not use props, costumes or musical instruments (but can use whatever is on stage).
- Of the scores the poet received from the five judges, the high and low scores are dropped and the middle three are added together, giving the poet a total score of 0-30.
Slam is engineered for the audience, whereas open mike readings are typically engineered as a support network for poets. Slam is designed for the audience to react vocally and openly to all aspects of the show, including the poet's performance, the judges' scores, and the host's banter.
Winning a poetry slam requires some measure of skill and a HUGE dose of luck. The judges' tastes, the audience's reactions, and the poets' performances all shape a slam event, and what wins one week might not get a poet into the second round the next week. There's no formula for winning a slam, although you become a stronger poet and performer the same way you get to Carnegie Hall — practice, practice, practice.
One of the best things about poetry slam is the range of poets it attracts. You'll find a diverse range of work within slam, including heartfelt love poetry, searing social commentary, uproarious comic routines, and bittersweet personal confessional pieces. Poets are free to do work in any style on any subject.
"The points are not the point; the point is poetry"–Allan Wolf, Former Asheville Slammaster